Showing posts with label folk art. Show all posts
Showing posts with label folk art. Show all posts

Tuesday, May 10, 2011

May 10, 2011 – Papel Picado












When I moved to San Francisco I discovered Paper Picado the Mexican paper-based folk art. Traditionally it is not cut, Papel Picado is chiseled. Huge, tightly layered sheets of colored tissue paper are packed into a block. The patterns are then cut into the block of paper using a chisel. I am yet to try this, and imagine it’s much harder than it looks. I suspect the novice could chisel his hand as easily as the block of paper. The advantage of the chiseling process is it allows one to make hundreds of sheets at once. That they are on tissue paper adds to their ephemeral nature.

Papel Picado was brought north with immigrants from Mexico. It has become as much a Californian Folk Art as it is a Mexican one. Its patterns appear in other forms and have fused with other traditions. I even saw some Chanukah Papel Picado recently. The railings of the BART station at 16th and Mission are designed to resemble Papel Picado.

Papel Picado has taken a long journey, starting with cut paper art in China about 2,000 years ago. It spread west and found its way to Spain with the Moors and subsequently the Spanish brought it to Mexico. This link has a good article from the International Folk Art Museum in Santa Fe.

Saturday, February 26, 2011

February 25, 2011 – Bottle House



I can’t be within 100 miles of Rhyolite without making a visit to one of my favorite ghost towns. One of the highlights is Tom Kelly’s Bottle House. Built in 1906 with mortar and bottles, mostly beer bottles, instead of bricks. I am pleased that some effort is really being put in to preserving the structure. It really encompasses so many things I love in my own art – repurposing and recycling and loosely structured grid-like patterns with circles. And it sparkles out there in the desert.

Sadly, the old caretaker passed away about a year ago. He was right out of central casting as the gold miner with the big bushy beard. You’d barely be out of your car and he’d appear out of nowhere and begin to tell you the history of the house, etc.

This piece is more or less a study for some upcoming bottle house paintings.